This post comes from the team working on the Wartime Films engagement project, and is part of a series outlining how NARA is using design thinking to reach new and existing audiences. This project was made possible in part by the National Archives Foundation and a generous gift from an anonymous donor. Read the whole … Continue reading The Wartime Films Project: Remembering WWI
This post comes from the team working on the Wartime Films engagement project, and is part of a series outlining how NARA is using design thinking to reach new and existing audiences. This project was made possible in part by the National Archives Foundation and a generous gift from an anonymous donor. Read the whole … Continue reading The Wartime Films Project: Design Workshops and Feedback for our Pilot App
This post comes from the team working on the Wartime Films engagement project, and is part of a series outlining how NARA is using design thinking to reach new and existing audiences. This project was made possible in part by the National Archives Foundation and a generous gift from an anonymous donor. Read the whole … Continue reading The Wartime Films Project: Choosing our User-Centered Design Pilot – A WWI App
This post comes from the team working on the Wartime Films engagement project, and is part of a series outlining how NARA is using design thinking to reach new and existing audiences. This project was made possible in part by the National Archives Foundation and a generous gift from an anonymous donor. Read the whole … Continue reading The Wartime Films Project: Setting Goals and Intended Outcomes for User-Centered Design Pilots
This post comes from the team working on the Wartime Films engagement project, and is part of a series outlining how NARA is using design thinking to reach new and existing audiences. This project was made possible in part by the National Archives Foundation and a generous gift from an anonymous donor. Read the whole … Continue reading The Wartime Films Project: Narrowing the Focus of our User-Centered Design Pilot
This post comes from the team working on the Wartime Films engagement project, and is part of a series outlining how NARA is using design thinking to reach new and existing audiences. This project was made possible in part by the National Archives Foundation and a generous gift from an anonymous donor. Read the whole … Continue reading The Wartime Films Project: Taking a User-Centered Design Approach at NARA
Harry Snodgrass has dedicated his life to editing, mixing, and producing sound in films. After his first foray into the business as a student at Temple University’s School of Radio Television & Film, Harry moved to Hollywood where he launched a career as a post production sound supervisor, sound editor, and sound mixer. After beginning … Continue reading Emmy Award Winning Sound Editor Teams with NARA
Today's post comes from Markus Most, Director of the Digitization Division at the National Archives. Here at the National Archives, we’re working on a new, cross-office project to make accessible audiovisual records of World War I and World War II. We are digitizing public domain films and photographs so that they will be available for … Continue reading Our National History and You
One of the chief goals of the National Archives is making our records- regardless of format- more accessible. Sometimes this means digitizing records and adding them to our catalog, but it also means creating ways for all US citizens to experience our collections. Accessibility of videos for the hearing impaired is very important to us, … Continue reading Calling Citizen Archivists to Crowdsource Video Captions!
Thanksgiving is an anticipated time of year…unless you’re a turkey! While our traditions today may not even include the iconic bird (hello, Tofurkey!), this holiday is still cherished as a time to gather with friends and family and give thanks. But before you start setting the table, enjoy a “harvest” of some of our favorite … Continue reading Ten Records We're Thankful to Have at the National Archives
